Didion's attitude toward "wagon-train morality" is trustworthy. This is a kind of morality that she trusts and is a genuine type of morality. Her example of "wagon-train morality" is with the car accident and the boy dies while the girl is seriously injured.
Paramilitary gangs terrorizing the opposition, the incompetence and opportunism of German conservatives, the Reichstag Fire.
And we learned about the critical importance of propaganda, the deliberate misinforming of the public in order to sway opinions en masse and achieve popular support or at least the appearance of it.
Post-war scholars of totalitarianism like Theodor Adorno and Hannah Arendt asked that question over and over, for several decades afterward. Their earliest studies on the subject looked at two sides of the equation.
Adorno contributed to a massive volume of social psychology called The Authoritarian Personalitywhich studied individuals predisposed to the appeals of totalitarianism.
In an ever-changing, incomprehensible world the masses had reached the point where they would, at the same time, believe everything and nothing, think that everything was possible and nothing was true The totalitarian mass leaders based their propaganda on the correct psychological assumption that, under such conditions, one could make people believe the most fantastic statements one day, and trust that if the next day they were given irrefutable proof of their falsehood, they would take refuge in cynicism; instead of deserting the leaders who had lied to them, they would protest that they had known all along that the statement was a lie and would admire the leaders for their superior tactical cleverness.
Why the constant, often blatant lying?
Saying something obviously untrue, and making your subordinates repeat it with a straight face in their own voice, is a particularly startling display of power over them.
The result of a consistent and total substitution of lies for factual truth is not that the lie will now be accepted as truth and truth be defamed as a lie, but that the sense by which we take our bearings in the real world—and the category of truth versus falsehood is among the mental means to this endis being destroyed.
The epistemological ground thus pulled out from under them, most would depend on whatever the leader said, no matter its relation to truth.
We might begin to think they are an irrelevant sideshow. This, she suggests, would be a mistake.Joan Didion on Learning Not to Mistake Self-Righteousness for Morality “When we start deceiving ourselves into thinking not that we want something or need something but that it is a moral imperative that we have it, then is when we join the fashionable madmen.”.
Joan Didion is the author of five novels and six works of nonfiction: Slouching Towards Bethlehem, The White Album, Miami, Salvador, After Henry, and Political Fictions.
She lives in New York City. She lives in 5/5(3). It isn't Didion's sense of morality that has suffered a blow, it's her sense of style Which is why, although I have nothing in principle against pretty houses or lavender love seats, Ms. Didion's lyrical angst strikes me as transparently ersatz.
Joan Didion is an American journalist, essayist, and novelist. Didion contributes regularly to The New York Review of Books.
In a New York Times review of Didion's collection The White Album, critic Michiko Kakutani noted, "Novelist and poet. Joan Didion is never afraid to confront the theme of decay, nor is she opposed to focusing on herself in any essay—both of which are displayed in “On Going Home.” The essay describes her struggle to connect her current home life with her prior home life, which are vastly different.
|Gpoba evaluation essay||That I am trapped in this particular irrelevancy is never more apparent to me than when I am home.|
|NPR Choice page||In her preface, Didion says that lines from the poem kept coming to her as she wrote, and, while not every essay in Slouching Towards Bethlehem depicts a society falling apart, many of them do. Her title essay, in particular, depicts young people who have grown up without the centering influence of shared traditions and extended families, young people who are not so much rebellious as lost.|
|Slouching Towards Bethlehem - Joan Didion - Google Books||Akademiska Freningens rsbok Symposier p Krapperups borg 3.|
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Apr 11, · Joan Didion: From the Face of Céline to the Subject of a New Photography Exhibition This Thursday, Julian Wasser’s images of the iconic American author .